PHOTO POST PRODUCTION & CGI / 3D Jul 2012
Dallas: Imaginary Lines
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Photographer: Geof Kern
Client: Mandalay Bay Hotel
Advertising Agency: RP&
Production: Panlicker Productions
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Photographer: David Ryle
Client: Acura
Advertising Agency: RP&
Production: Roger Grey Productions
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Photographer: Geof Kern
Client: Acura
Advertising Agency: RP&
Production: Ink & Oranges
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Photographer: Geof Kern
Client: Thalys International
Advertising Agency: Havas
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Photographer: Jim Fiscus
Client: Schick
Advertising Agency: J. Walter Thompson
Production: Eric Rasmussen
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Photographer: Jim Fiscus
Client: Showtime
Production: Eric Rasmussen
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Photographer: Michael Mayo
Self Promotion
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Photographer: Geof Kern
Client: Fortune Magazine
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Photographer: Jim Fiscus
Client: Renaissance Hotels
Production: Eric Rasmussen
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Photographer: Geof Kern
Client: Tamiflu
Advertising Agency: CMDiConnect
Production: RaZor Productions
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Photographer: Jim Fiscus
Client: Showtime
Production: Eric Rasmussen
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Photographer: Jim Fiscus
Client: Showtime
Production: Eric Rasmussen
More than 18 years ago, requests for digital images that involved artistic interpretation launched Imaginary Lines. The foundation of Imaginary Lines was built on Mary Brandt's fine art and imaging background, as well as Chris Stoll's photographic and marketing experience.
Collaborating with photographers and art directors, challenges and problems are solved by incorporating photography, photo illustration, drawing, painting, and props as necessary to create high resolution digital works of art.
Ten years ago, Imaginary Lines added medium format digital capture to its services, allowing cohesive control of a project from start to finish. Today, the company's inventory includes digital backs up to 80mp, with capture on location offered nationwide.
For integrated marketing clients, in 2009 Imaginary Lines began offering video production and post production, including comping and special effects. This ensures image continuity from still to video within a project.
"Imaginary Lines, the fine art of digital imaging."
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