It’s clear from the work shown here that CircleMedia are automotive CGI / retouch specialists, with a client base including the likes of Porsche, Bentley, Ford and Seat.

But that’s only part of the story. What’s not immediately obvious from the imagery is that CircleMedia are just a two man team – one on CGI, one on retouch. Small enough to care, but experienced enough to cope with the most demanding of projects.

Being based just outside London allows them to keep costs down. Their level of involvement in campaigns has grown from simply being excellent practitioners of CG and retouch to being full-scale environmental architects - creating unique and original spaces that fit a brief.

Now represented by CRXSS Agency, get in touch to discuss what CircleMedia can design and build for you.

It’s clear from the work featured in this Spotlight that the team at CircleMedia are automotive CGI / retouch specialists, with a client base including the likes of Porsche, Bentley, Ford and Seat.

But that’s only part of the story. What’s not immediately obvious from the imagery is that CircleMedia is just a two man team – one on CGI, one on retouch. Small enough to care, but experienced enough to cope with the most demanding of projects.

Being based just outside London allows them to keep costs down, proving pretty useful in today’s cost-conscious world.

Their level of involvement in campaigns has grown from simply being excellent practitioners of CG and retouch into being full-scale environmental architects – creating unique and original spaces that fit a brief.

Now represented by CRXSS Agency, get in touch to discuss what CircleMedia can design and build for you.

CircleMedia is a leading London-based CGI and post-production studio represented on both sides of the Atlantic by Peter Bailey Productions.

Projects featured in this Showcase include:

• A stunning new campaign for the Ford Mustang, commissioned by GTB London, art directed by Ross Hanson, and realised in Full CGI by the team at CircleMedia.
• Over 60 CGI shots of the new Porsche Cayenne, created in time for its worldwide reveal on 29th August, with photography by Stephan Romer.
• Post-production of Trigger’s studio shots of the Rolls Royce Black Badge models, along with intricate CGI environments to surround them.
• Maserati advertising imagery, shot by Dubai-based photographer Adam Browning-Hill.
• CGI studio shots of seven current Ford models, again commissioned by GTB, and currently running in print and OOH around the UK.

Other recent projects that couldn't be squeezed into this Showcase include CGI and retouching work for McCain / Adam&EveDDB, Bentley / Keko London, Jaguar / Spark44, and more.

CircleMedia is a leading CGI and post-production studio based in London and represented on both sides of the Atlantic by Peter Bailey Productions.

Projects featured in this Spotlight include:

• Post-production for Bentley's new Continental GT Supersports, shot in Switzerland by Graham Thorp.
• CGI imagery of the Ford Edge, with backplates and talent shot by David Ryle.
• Images of the 2016 Bentley Flying Spur for Keko London, with backplates shot in Cape Town by Graham Thorp.
• Post-production on two Chevrolet campaigns, shot by Atif Abu-Samra for Commonwealth // McCann, Dubai.
• Two retouching projects for Cogent Elliott, both shot by Manvir Rai.
• A full CGI image of the new Ford Focus RS, with both the car and environment created in CG.

Now on Instagram, CircleMedia will be regularly posting behind-the-scenes and making-of images, along with any new work as it’s released.

CircleMedia is a leading CGI and post-production studio based in London and represented on both sides of the Atlantic by Peter Bailey Productions.

Projects featured in this Spotlight include:

• A full CGI advertising campaign for Audi Sport, commissioned by BBH London, to coincide with 24 Heures Du Mans, 2016.
• CGI imagery for the new Porsche 718 Cayman global campaign for Keko Frankfurt, shot by Stephan Romer in Brisbane, Australia.
• Advertising shots of the 2016 Bentley Flying Spur for Keko London, with backplates shot in Cape Town by Graham Thorp.
• Post-production of Trigger’s studio shots of the Rolls Royce Black Badge models, along with CGI environments to surround them.
• Retouch of Ian Winstanley’s photography on behalf of Chapter, for the Drum Awards campaign.

Now on Instagram, CircleMedia will be regularly posting behind-the-scenes and making-of images, along with any new work as it is released.

So many exciting projects for the team at CircleMedia to choose from for this Spotlight. Those that made the final cut include:

• Full CGI campaign for Ford, commissioned by Blue Hive London, featuring some of the brand's most iconic cars.
• CGI shots of the new Porsche 718 Boxster, shot by Stephan Romer for Keko, Frankfurt.
• CGI environments to accompany Trigger's studio photography of the new Rolls Royce Dawn.
• Post-Production on before/after shots of Land Rover's custom vehicles from the latest James Bond film, shot by James Callaghan.
• Still life CGI of the exquisite Lalique for Bentley Crystal Edition fragrance.
• Personal work with photographer Kelvin Murray, bringing a child's imagination to life with a CGI Spiderman.

Visit CircleMedia’s website or Behance page for more from each campaign.

It's been a busy time of late for CircleMedia, with a number of high-profile CGI and retouching jobs. Work featured in this Showcase includes:

• CGI and post-production of two origami vehicles for Nissan, commissioned by Chapter.
• Post-production on David Ryle's Subaru ads for BJL Manchester.
• Post-production on print advertisements for Mailbox and Chivas, for J11 and Cogent Elliott.
• CGI and post-production for the release imagery of the Porsche 911 Carrera 4 and Targa 4 models, shot by Stephan Romer for Keko, Frankfurt.

The team are currently working on exciting new campaigns with a very different feel, so stay tuned to future Showcases and Spotlights to see the results.

This Spotlight coincides with the launch of an update to the iconic Porsche 911 Carrera. Once again, CircleMedia worked with photographer Stephan Romer to provide CGI and post-production for the car’s brochure and global advertising campaign.

Other featured work includes post-production on Mark Bramley’s beautiful BMW 3-Series adverts for London’s FCB Inferno, post-production on a Chevrolet advertisement for McCann Dubai for display on a 100 metre-wide billboard, and architectural CGI and post-production for Amwell with photographer Mike Swartz that was commissioned by Connect Group.

Also included is some personal work to showcase the company's ability in creating full CGI imagery - two shots, one of a Porsche 911, the other of a BMW Z4, both entirely CGI, modelled, rendered and retouched by CircleMedia.

Watch the two videos to see how they were created.