Search results for 'magazines'
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Spotlight Magazine
London: Calvert Studios
Calvert Studios boasts some 40,000 square feet of coved studios and support areas in the UK alone. Services include camera and digital back hire, (Sinar, P45 and Canon), with computer rooms and proofing systems up to 60 cm wide, along with in-house 3D modelling, rendering and retouching facilities.
In Spain the company owns 350 acres of mountains and platforms, with three daylight studios at various altitudes including one that can be filled with water. Calvert also offers a 100m x 50m set built salt flat which can be spray-painted any colour, as well as a pool terrace, huge areas for set building and a coved studio.
With sixteen double en-suite rooms, tennis court, swimming pool and bar, the company's private and secluded locations offer a complete range of studio services and facilities.
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Spotlight Magazine
Buenos Aires: Fabris Foto
Now represented in New York by Picture Farm, Fabris Fotografia has been delivering state-of-the-art images to both the local and international advertising industries for the past 10 years.
Campaigns have included Toyota, Ford, Lincoln, Peugeot, Rexona, Axe, Sony, Levi's, Panasonic, and many others.
With representation in New York, Mexico and Europe and on-location shooting throughout the American continent, the company's goal is to "always deliver more than is expected".
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Spotlight Magazine
Hamburg: Claus Peter Dudek
Peter is a pioneer in digital imaging. Since 1994 he has gained a great variety of digital experience, and in 1999 he published his first car projects for Toyota Europe.
For his current car projects Peter takes advantage of his vast experience producing web-specials, car configurations and product animation. Current clients include BMW, Bugatti, Honda, Lexus, Mercedes-Benz and Suzuki.
The outstanding feature of Peter's professional work is the excellent combination of his personal skills with those of his team, working in photography, CGI, postproduction and animation, and using individual workflows for higher efficiency and greater accuracy.
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Spotlight Magazine
London - Paris: Paul J Harvey
Paul has been shooting for Toyota in Spain and for SNCF in France.
He recently completed a 3D car series within the underground system in Paris. In this particular project, Paul's aim was to integrate the 3D car into the real environment as naturally as possible.
Paul is looking forward to some new adventures in colder climates very soon.
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Spotlight Magazine
London [UK]: Chris Myhill
Chris Myhill's recent clients include Lexus in Brussels, Honda, Kia and Bentley in the UK, and Fiat in Turin. An interesting CGI project for VW saw Chris in action in Berlin, immersed in a spot of gardening with a VW Golf during the summer heat!
Most of his time has been spent in the studio, however a personal project saw Chris put on his hat and coat and venture outside to shoot construction cranes from various angles and heights. This project was picked up by Odd Girl Out Productions and used to illustrate a Channel 4 series.
With nineteen years of experience shooting cars, Chris still believes the idea of doing it for a living to be as fantastic as ever. "Digital photography has opened up an endless amount of interesting ways to achieve the end results." -
Spotlight Magazine
Amsterdam [Netherlands]: Diederik Kratz Photography
Recent projects by Diederik Kratz Photography:
- Pan-European Campaign for Organon Bioscience. Shot and produced in several locations across the Netherlands.
- Editorial shoot for Sanoma magazine in Belfast, N. Ireland. Exploring the roots of the Delorean car and how it came to be built there in the 1980s.
- Mitsubishi Colt for Mitsubishi Motors Europe. Shot and produced for ten days in the environs of Lisbon, Portugal, for the new pan-European brochure.
- Editorial shoot for Sanoma magazine. Shot the prototype of new Spanish Super Car Tramontana at the Autodrome Terramar/Sitges in Spain, an old racetrack dating from 1922.
- Mitsubishi Grandis for Misubishi Motors Europe. Nine days spent shooting and producing on location in the Siërra Estrala mountains in Portugal, for the new pan-European brochures.
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Spotlight Magazine
Cologne [Germany]: Erik Chmil
Automobile and architecture, people and places, advertising and editorial... an entire world of pictures. For several years, Erik Chmil has been creating what he describes as "a new picture language" for national and international agencies and automobile clients.
Since switching to high-resolution digital photography, Erik and his partner have managed the entire production process for each project - from the shoot to creative retouching through to printable data.
After jobs this last month for clients including Porsche, Opel and Acura, Erik is now working on a project for the BMW annual report. His long-term projects, landscape photographs and such series as 'Where to Park', can be seen at LUMAS gallery. -
Spotlight Magazine
Hamburg [Germany]: Manu Agah
Manu Agah is a Hamburg-based car, landscape and portrait photographer who has been commissioned to shoot around the world for agencies and individual clients alike.
He began his professional career as a portrait photographer, but now also shoots for many top car clients.
Recent clients have included Mercedes, BWW, VW, Mitsubishi, Honda, Toyota, and Renault.
Manu Agah has a new agent in the US, i2i photography. -
Spotlight Magazine
London [UK]: Carl Lyttle
Photographer Carl Lyttle has recently been around the globe, travelling from Thailand to California, Canada, Turkey, Chicago and back to London, producing shots for clients including Nissan, Mercedes and Land Rover, amongst others. Almost all of these images have been created in CGI.
The images have been produced by working closely with the highly skilled 3D and retouching team at This Little Fish.
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Spotlight Magazine
London [UK], Paris [France]: Paul J Harvey
Photographer Paul J. Harvey's passion is his landscape work. A personal series he is currently shooting in Venice will soon be completed.
Recent commercial projects have included work in France for Peugeot and Volvo, and in Germany for Renault.
In conjunction with a post-production studio Paul has been using the latest techniques to generate CGI images. 3D automotive computer data and landscape elements are subtly blended together in retouch to look as dynamic yet as natural as possible.
Take a look at a wider selection of personal projects in books 1, 2 and 3 on his website.