Search results for 'magazines'
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Spotlight Magazine
Mark Compton - San Francisco [USA]
After starting his career in New York, Mark Compton - now based in San Francisco - has specialised in location photography for over 10 years.
With a strong technical background and a great way with people, Mark's cross-disciplinary skills have him shooting cars, landscapes, people, and interiors for advertising, annual reports, and editorial clients.
Recent clients include: Acura, Buick, Adidas, Visa, Hewlett Packard, Hyperion, Thoratec Corporation, Men's Journal, Skiing and Outside's Go Magazine. They say they keep coming back for Mark's clean, graphic imagery and his well-run, efficient productions.
He is currently working on an image library of roads and landscapes - both for his own composites and as potential CGI background plates. He has plans for trips to the northern USA plains states of North and South Dakota and the often overlooked areas of northeastern California.
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Spotlight Magazine
Ripley and Ripley - London [UK]
Recent work includes:
- Ferrari - a massive 35-car shoot in celebration of Ferrari's 60th anniversary - Italy
- Alfa Romeo - GT Blackline, advertising and PR campaigns - UK
- Honda F1 2007 car - UK
- Alfa Romeo Spider - official launch imagery - Morocco
- Lexus LFA - Texas
- Toyota FT-HS - Brussels
- Ferrari FXX - Maranello, Italy
- Worldwide exclusive shoot of the Ferrari 612 P4/5 by Pinifarina - Torino
Their website includes shoots ranging from automotive to David Beckham billboard campaigns.
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Spotlight Magazine
Garry Owens - London [UK]
A recent commission for JWT - Team Detroit for the Ford Edge gave Garry the opportunity to shoot some interesting personal images in Downtown Detroit, which can be seen here.
Other recent clients include:
- Ogilvy London - Ford Mondeo
- Ogilvy Dusseldorf - Ford S-Max
- Saatchi Germany - Iams
- AKQA London - Yell.com
- DDB London - Capital One
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Spotlight Magazine
Manfred Rieker Studio - Hamburg [Germany]
Recent studio and location shoots include:
- Studio shoots for Porsche 911 Turbo Cabrio
- Studio shoots for Porsche 911 Turbo
- Studio shoots for Porsche 911 GT3
- Studio shoots for Porsche Cayman S
- Greece for Mercedes A-Class
- Greece for Mercedes CL-Class
- Vienna for Mercedes CLS-Class
- Studio shoots for Bugati
- Frankfurt for Smart
- Studio shots for Mercedes R-CLASS
- Greece for Lanxess
Rieker Studio is represented by Gecko Photographers.
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Spotlight Magazine
Saddington and Baynes - CGI & Post-Production - London [UK]
Saddington & Baynes is widely recognised as one of the world's leading print post-production studios. Known for automotive retouching, the firm was a pioneer of digital retouching in the 90s.
As one of the very first to realise the creative potential of CGI for print, it has been instrumental in developing the new workflow and introducing it to the industry. It combines creative flair, technical skill and top-class experience in automotive retouching, and has developed a unique methodology that takes CGI into the advertising mainstream for print.
When asked to describe what is different about their approach, S&B say, 'Photographic technique is at the core of what we do. We can create high-quality images from any supplied 3D data, or use 3D modelling to generate "products" - be they cars, planes, bottles or pack shots - and then seamlessly place them into any background, whether it's a CG-generated studio or photographic location.'
The company's motto is: 'We understand the technology...so you don't have to'.
Please contact Chris Christodoulou.
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Spotlight Magazine
Lorentz Gullachsen
Recent projects by Lorentz Gullachsen include:
- Skoda for Archibald Ingall Stretton - shot in Wales, the Malverns, Warwickshire and Birmingham, over four days in November. The shoot required three days of sun and a final day of rain. Lorentz says, 'Lack of rain on the final damp day meant we needed a little help from a fire truck'.
- Shooting Land Rover for PHWT.
- Shooting Subaru for Focus, Tokyo.
- Recent location shoots include South Africa, USA, France, Italy, Wales and England.
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Spotlight Magazine
Anton Watts
Recent location shoots by Anton Watts include:
- Costa Rica for OneLife.
- Australia for BMW.
- Tokyo for Nissan.
- London for VW via DDB.
- Rio de Janeiro for Land Rover.
- Studio shoots for Jaguar and Lexus.
- The US for Infiniti.
- France for Bentley.
- Studio and location shoots for Mazda in the UK.
- India for Top Gear.
- France for Range Rover Sport.
Also see Anton's website for new Mappin & Webb fashion shots.
Anton is represented by Catherine Collins.
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Spotlight Magazine
Douglas Fisher
Douglas Fisher shoots cars both 'virtually' and photographically. Using the latest 3D rendering technology, he can produce complete CGI shoots both on location and in the virtual studio.
By doing all this in-house, he maintains complete control over the creative process. This integrates seamlessly with his photographic work and can extend into creating complex digital sets and props that would otherwise be too expensive to make.
His speciality is bringing a vision to life with his unique style and says he can create whatever his clients can imagine.
Clients Renault, VW, Land Rover, Shell and Honda have all recently benefited from his photographic and digital production skills.
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Spotlight Magazine
Morgan Silk
Morgan Silk specialises in landscape and location work. His atmospheric and often haunting style is well regarded in the creative world, and his 'Zoo' series picked up a Gold at the AOP awards.
He recently returned from LA where he was shooting a Land Rover campaign for RKCR Y&R London, his third commission for the car company. Other recent commissions include Marie Curie Cancer Care.
He is represented by Vue in the UK. -
Spotlight Magazine
Chris Myhill
Chris Myhill has worked with most of the major car manufactures over the past 18 years and considers himself 'lucky to have travelled to amazing places and worked with some very talented people to produce some fantastic campaigns and brochures'.
He says he enjoys the challenge and organisation of a location shoot just as much as creating a lighting style in the studio.
Chris has followed the industry's recent transition to digital technology, taking advantage of the new possibilities for creative image-making and he is now exploring CGI together with his retoucher.